Mandi


It's done! Well...there is one little thing I might do to it. Replace the zipper pull with beads. But that's maybe right now. My hair is long enough to hide it. But we'll see.

Here it is!

Front

Back 3/4 view

Skirt close up

Skirt better view of embellishments

Further view of skirt

So, that's it! I need to reattach the lining at the zipper. It seems to have pulled away during all of the putting on and off of the dressform. And I guess I'll change that zipper pull. I don't have anything to use, so I'll have to make something up.

But other than that, it's ready for delivery tomorrow. I'll be glad to put it up for display, even if it's late and they disqualify it from the voting in the contest. I think I get it back in early December and I'll wear it to Will's office holiday party. And I'm going to get some cute red satin shoes to go with it. I think I already found a pair on endless.com

Yay!
Mandi

I have been working very hard since Friday, when my headache finally went away. I also felt better once I admitted that I wasn't going to finish it on Friday, but could (should) take my time to get it done right.

I completed a whole new bodice (thankfully I dyed a bit extra as I always do for this sort of project!), added piping at the arm and neck and lined it on Friday.

Saturday I reattached the skirt and inserted the zipper and remaining lining.

Skirt lining on the table by the machine... I decided to pleat the lining instead of gathering to cut down on bulk. The last place I need bulk is at my hips!



This is a picture of the hand basting of the gathered skirt to the new bodice. I had to do this to make sure this time it would all hang correctly!


Then I took the dress out to an art group I meet with occasionally. They were impressed, and remarked on my attention to detail.

This is something I'd never thought much about before, in an analytical way. I do love detail. What is the point of doing the whole thing if you don't find something beautiful at every glance?

Like the piping I added at the neckline and armholes, and finally, at the hem. It is one of the fabrics I used for the ornaments around the skirt. Here's a picture of it being stitched on. This is a 2 step process, after making the piping (which I guess would make the whole thing a 3 step process), attaching it first to the bodice, and then a second stitching to attach the lining, stitching over the same line very carefully!



Here you can see a closer view of the piping at the neck and armhole.



Here's the hem, with the piping. You can see the stitching on the ornaments and the yo-yo's clearly as well.


I take great pride in doing a beautiful job...though admittedly on this one I had a few hiccups, but it's something I've learned from, and the few defects that exist can be fixed by the time I make this again (which I am seriously considering...but that's another post).

Here it is this evening, with the hem stitched up (the piping had to be stitched by hand with a blind hem to keep it from turning back out



Right now I'm working on the crystals. Tonight I got about 2 gross applied, and will do the rest tomorrow. I want to have it done by Wed., as I might just take it up to the store that day to show them the results, though it's too late to enter the contest.

When the sparklies are all applied I'll have more photos. I may even set up the lights for it!
Mandi

I've been working...every day! But today I've had some real issues. First, I have a headache that won't go away and is incrementally worsening. It will prevent me from accomplishing what I need to today. And that puts me behind, a lot.

I ended up adding yo-yos to the skirt, on top of the appliques, and it took a lot of those and a lot of appliques. So that process took more time than originally planned. But it looks cute, though it added a lot in time, it was the right decision.

Here are the yo-yo's.

And here I am placing the appliques, just the first step in adding layers of appliques and stitching.

But beyond that is an issue with the bodice that I didn't realize until last night when I put the skirt on.

This picture shows the problems as well as where I ripped off the piping to try to fix it.


See, the appliques on the skirt were going to cause a problem with the drape and hang of the semi circular skirt, so I ended up fusing on some nice knit interfacing, which beefed up the stability of the skirt, and added strength for the stitching on the appliques.

But, that also added a lot of weight, and all of the appliques and yo-yo's (which are little gathered circles sewn by hand) added more weight. Which when stitched onto the bodice greatly distorted the bodice, but also revealed a problem with the organza I originally underlined the bodice with. I think it shrank, and the rayon of the bodice didn't.

Actually, neither one should've shrunk, but though I thought I had preshrunk the organza enough, I guess I didn't. It shrank during all of the steaming I did to press and shape the bodice. And that meant when I stitched it to the very heavy skirt, the organza was pulled taught and the rayon of the bodice just draped and bubbled!


It's heinous. I've tried and tried to "fix" it, but fixes haven't worked.

The only thing to do is to take off the skirt and recut the bodice, fusing a knit interfacing to it the same way I did the skirt, and then sewing it up. This should eliminate all of the problems you can see in the picture.

The only problem is that I was supposed to be done with this and turning it in by tomorrow!

Whoops. I took this project on thinking that I could do it in 2 weeks. Exactly 2 weeks. That didn't allow for little problems or additions, both of which I've had. So, I'll probably be able to finish it this weekend, but then it's too late for the contest. I'll take it to the store on Monday and just let them display it, as I don't plan to wear it. It will just be a cute thing for me to pull out and show people.

Here's the skirt. It is cute.



If I didn't have the headache then I'd probably be able to push through and get this done with an all night sew-a-thon, but right now all I want to do is lay down to take a nap and worry about all of this later, when my little head isn't screaming!
Mandi

I know I haven't posted for the AEDM, but I have been working. It just wasn't coming to much, or at least not enough for me to make a whole post about. But now I'm down to just one week to finish the dress and it's coming together well.

I did more muslin tests of the dress and came up with a decent fit (the front view came out too blurry, so this is just the side view...which I rather liked because I could see triceps definition!)

After I finished the pattern I decided to go back to the store to get some more fabric, as I just wanted a few more choices for the appliques, as well as some metallic thread to do the stitching.




I was expecting a visit from my dad, so I ran a bunch of errands and gave up a day for that. He wasn't able to make the visit, so I get back the time I had planned to spend with him. That meant I was able to cut out the dress and lining and sew up the bodice. I decided to underline the bodice with silk organza to give it a bit of body. It was too drapey and hanging too loosely. Now it's a bit stiff, but the weight of the skirt will help to smooth it all out.




Here's a shot of the bodice on the dressform. I need to rework the padding on the dressform because I realized after fitting it on there, and then I put it on, the width of my back is more than the dressform, as is the shape and curve of my bust. The pads help, but not enough to exactly duplicate my shape. But that's a project for later this year. I know I'll never be that skinny again, unless I totally stop lifting weights and try to drop about 20lbs of muscle and fat.



I decided yesterday that the skirt was going to be too boring with just a bunch of appliques and that I should break up the background of the skirt somehow. I chose the ribbon motif that is on some of my fabrics, wrapping up the gifts. Here you can see the painting on the skirt. It took all day to do. I hope it works as well as I imagine it. Some projects don't and that's always a bummer.


Today I am working on the appliques. I was going to do just all circles, with some having stripes of coordinating fabrics on them, but they were too flat. I will do some that way, but it still needed more depth. I tried stuffing them with batting, but that didn't work out, so now I'm going with yo-yos made of the same fabric. Like a tone-on-tone effect. It looks cute so far, but right now it's all just out on the table and not on the skirt.

It will take me the rest of today and probably tomorrow to get the appliques done and temporarily placed on the skirt. I'll have some photos of that tomorrow. So far, so good. I have 6 days left and I'm feeling confident about being able to get this done in time.
Mandi

I signed up this weekend for a month long art event. You can see the logo to the right.

It's all about creating art every day. Something I seem to need motivation to do! It's way too easy to get distracted by every day stuff (or the internet) and accomplish nothing. Lots of thinking about making stuff, but not much doing.

I am hoping that participating in this event will make me feel more aware of the need to work creatively every day. I don't plan to make a piece of art daily or complete a piece daily, but to genuinely work at something daily.

And so yesterday being the first day of the challenge I worked on a new dress.

Not just any dress, but a dress for a challenge, hosted by the sewing machine dealer/shop where I bought my Bernina 830. The challenge was to purchase 3 half yard cuts of any holiday fabric they had in stock. And at least 1/4 of a yard of each of those 3 must be used in the project. Project in my case being a wearable, but could be a quilt or table runner etc.

Holiday fabric? Ick! Well, I thought it would be a great challenge, because how you can make something elegant and lovely if it's made with fabric covered in Santas or snowmen?

Well, I found some lovely fabric there and chose my three. I was also able to pick up my new Bernina cutwork tool, which I hope to figure out installing on my new imac (yes, the brand new 27" imac...not the quad...didn't need that...but it does have the absolutely fabulous magic mouse!). You can see the fabric, challenge rules and my new cutwork tool in it's lovely box in this pic:


I was drawn to the little branches of berries (I assume that's what they're supposed to be) in the interesting color way. A fresh take on the holiday red and green, it's a dark red with olive! The little presents on the coordinates is are the same colors, with some light blue and brown. Quite pretty!

It took some thinking and brainstorming, and some research into current trends, color and styles, but I came up with something quite pretty. A full skirted dress based on a fall 09 Jason Wu dress. His is a beautiful green, very much like the Pantone "Warm Olive" that the color predictors mentioned. I have dyed up some rayon in a similar green, though mine is more closer to an "absinthe" green. Bright, but not like lime.

I will be appliqueing the above fabrics onto the bottom of the skirt of the dress, and then stitching around them in a contrast thread. I plan to use red thread, which will match the red piped neckline and armholes. It will be a very striking color combination!

Oh, and the finale will be tons of hot fix rhinestones I'll be applying all over the dress in green, reds and blue. Softer versions of the colors in my fabric palette, which will give lots of shimmer and sparkle, but won't be too overwhelming (I bought the tiny sizes of stone).

I love rhinestones...who doesn't? I can hardly wait for them to arrive.

In the meantime, here are pictures of the dress (as muslin) in progress from yesterday and today:

This one was just the second fitting...pretty bad, but it gets better!





Today I am going to lengthen the bodice a bit (I am short waisted and really need more length in the bodice to off set all of the fullness of the skirt) and take in a bit at the waist, scoop out the armholes a bit and then try another, with a zipper so I can try it on me and not a dressform. Dressforms are great, but no matter how I pad up or down or mess with it, it's never exactly my shape, though it's close enough to get a good fit. I just refine it at the end on myself.

And here is one last picture of my dyed rayon along with my 3 holiday fabrics. I have decided to call this dress "Holiday Baubles".


Mandi

A couple of weeks ago I decided to paint some silk banners for our bedroom. I wanted to hang them on either side of this pretty wood carving panel that we got from VivaTerra. The table, made of recycled railroad tie wood is also from VivaTerra.

Here's a shot of the bed (very plain room still, notice stack of books by my side of the bed!!!) coming from the hall entryway in the room.

I decided to go with a purple and a blue. I was going to make it into one piece, quilt it and then hang it as a reversible hanging, with a red/orange one on the other side, but Will liked them as is and asked me not to quilt them.

I used wax and several reds/blues and one purple to mix up my own palette for the purple banner. I seem to have not taken pictures, but you'll see later on that it ended up matching the coverlet I bought from Crate and Barrel.

The blue one was also done with wax and several shades of blue. I added a bit of olive green to add some bright contrast as well as a dash of red to bring in the purples that I loved from the other banner.




This was a fun project. I really really love painting on silk in this unplanned, freestyle abstract way. The wax is perfect for this and I find I use it much more than I do gutta. I like to start out by flicking the wax here and there, it really makes the final product pop!

You may think my colors are off in the above picture of the blue, especially once you see the finished banners, but no, the colors get really bright and beautiful after steaming. They look just as beautiful after steaming as they do when wet (most dyes dry less bright than they look wet, so you have to remember that when working with that beautiful colored liquid, Sennelier silk dyes are opposite!).

Here are the banners hung. They were originally cut and painted at the size of 6' x 22". They shrank a bit after steaming, and of course I made a narrow hem on the sides and pocket at the top and bottom for the rods.




Mandi
The good stuff. Here's what I bought (be warned, lots of photos!).

Paint kits from Stewart Gill. The lady selling these is also the maker/manufacturer. She was so cute with her Scottish accent. And she said I was so thin and pretty and reminded her of Terry Hatcher. She's my new best friend. ;)
They had a great deal where if you bought 4 kits you got $40 worth of free stuff. I chose the fresco flakes (never used them before, can be painted over and resemble chunks off of an old fresco), extender and some stencils. One stencil is a fingerprint. How cool is that??

I have had 3 jars of Stewart Gill paint. It is awesome stuff, but there's a few different lines and I was never sure which to get. This way I can try most of them and then buy more of those I like. The colors are different from Jacquard's Lumieres, so if you're interested in metallic textile (and mixed media) paints, check them out. They can be purchased from a few vendors her in the US. Joggles.com carries them, I know for sure.

Ahhh, yes. Here are the scissors. The 2 pair unpackaged were my own Ginghers. The cheetah handled ones had a bad nick and were getting dull. The little ones were very dull. I keep scissors everywhere in my room (at the sewing machine, at the serger, at the ironing board, at the cutting table) so that as I move from station to station they are available and I'm not looking for them. With 2 pairs out of working order I was messed with my system.

Somebody on the quiltart list said go to a certain booth to get them resharpened, which I did. And upon pick up I was able to test them (how great is that???!!!) and I bought several more pairs which they will sharpen for free next year. I'm definitely going back for that!

Here is a cd I bought from a lady on Threadpainting. Terry White is her name. I know how to do the basics, but this was an advanced cd I thought I'd try. And I bought a new embroidery hoop which is rubber with a grippy ring inside, which should be better than my old wood ones.

And all of those packages of thread? She was closing out her stock of Wonderfil (which I haven't used but heard good stuff about) and was selling each pack of 2 threads for $5. A super good deal. I think I got 8 packages. That's 16 spools of thread for $40!!!

This is the book for the display "SAQA at 20". It was a beautiful exhibit, no photography, so I was pleased to buy the book. The "Sense of Humour" exhibit is also in this book, but I loved it for the "SAQA at 20" quilts.


My favorite was this one by Virginia Spiegel, "Boundary Waters 25". I loved the texture and blending. Gorgeous.

Here is a garment I bought from Elizabeth Jenkins. She was in my katazome class at SDA. She's a handweaver. This is made of rayon chenille.


It's lovely and soft and looks so cute on over a little top. I had on a tank top when I tried it on and it wasn't too warm. I could wear it that way in the fall, or with a t or long sleeve top in the winter.


This is an awesome little device. I just happened across this booth, on my way to another booth, while my friend Emily went outside for a break. I was going down the aisle and had to stop to wait for someone in front of me when I turned and a big sign that said "made for ipod" caught my eye and I went over.

It had little embroidery designs you stitch out on a garment or bag, then stitch the touch pad behind the designs and add the connector. Then you can connect any ipod to a garment or bag you've made! I have enough stuff with the kit to make 2 garments. Really cool!!

Thread from YLI. I've never used YLI and I thought I'd try it. Good prices on the small spools.

Lovely Asian fabric from a nice booth. I wanted some greens and blacks. And I couldn't pass up the reds.

Or these cute little dragon beads. I have to figure out what to do with them.


Ooooohhh, here's some good stuff. Bought all of this from a lady I visited at her booth a couple of years ago but then lost her card. She's actually here in Austin, no store front, but has a studio and will see people by appointment.


First piece here is real Katazome dyed with indigo. Early 20th cent., possibly late 19th cent. I bought this piece, rather pricey, and will hang it in my upstairs hall where I can see it every day. Stuff I put upstairs is for me, as most people never see it unless they ask to see the studio. This piece is too precious to me to leave downstairs where it might get more light than necessary.


These pieces are kasuri. An ikat weave from Japan. The gal in the booth told me that the old pieces (very old she said, though no exact dates on these pieces) are the smaller designs (pieces shown on the left). Bigger designs mean it's not as old (top right pile), and the ones in the front with red (or sometimes other colors) are made from the 1960's and on. Good stuff!!!

More little pieces from her. Silks, a wool, and another kasuri with dragonflies. The rough weave bag underneath I also bought from her to carry stuff and because it's lovely. Made from antique grain sacks. She has more of this stuff, too, which I want to check out here in Austin at her studio.

The last thing I bought from her is one of my favorite purchases (though I can't pick favorites, I love them all!!!).

A cotton yukata robe, made of real katazome. Very old, very beautiful and soft. A lightweight weave with some woven texture that doesn't show until you hold it up to the light.

Here you can see the pattern more clearly. It looks really good on. I just have to make a simple, sexy bias cut dress to wear under it and then I'll wear it out next spring or summer.



Last one to show you...a stop at ProChem!

Dyes and paints. I usually buy from Dharma, but I like ProChem because they put out a lot of mixes and different colors. And I also got some of their brand textile paints because I've been meaning to try them. The little kits should be great for that.

Two things I purchased but didn't get to take home as they will eventually be shipped once they are ready are the new Bernina cutwork tool, and the new Babylock Sashiko machine. I can hardly wait!!!

I was told the Bernina tool should be at my dealer's within 4 weeks or less. The Sashiko machine is so popular it may take upto 8 weeks to arrive. The facility manufacturing them can't keep up with demand!

That's it for my trip to Houston. It was a lot of fun. And I came home really inspired. I also feel like a lazy slob because I realized I just haven't been diligent about producing work or pushing myself or even finishing anything and trying to enter shows. But I will this next year. Maybe I just need some time off. I am ready to get busy working on things for the new year ahead!